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Kimono II

Kimono II

€2.840,00 EUR
€2.840,00 EUR
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Artist

Sandra Mazoy

  • Original artwork, 2024
  • With frame

Size

  • 103 W x 123 H x 5,5 D cm
  • 40.5 W x 48.4 H x 2.16 inches

Medium

  • Painting : Acrylic on  canvas.

Shipping

  • A reinforced box.

Authenticity

  • The artwork is signed by the artist Sandra Mazoy and comes with a certificate of authenticity signed by the artist..

Description

Kimono II is a striking work of geometric art by artist Sandra Mazoy, combining oriental influences with an abstract composition of strong visual impact. The piece, measuring 120 x 100 cm, stands out for its balanced structure and the precise interplay between geometric forms and color. Mazoy employs a palette composed of three primary colors and black, creating bold contrast that enhances the intensity of the image. The title refers to the stylized silhouette of a kimono, reinterpreted through a contemporary and symbolic lens. The artwork is framed with a narrow black border, which underscores its formal elegance and refined simplicity. Framed, it measures 103 x 123 x 5.5 cm (40.5 W x 48.4 H x 2.16 inches). 


Kimono II is a significant piece within the field of contemporary abstract art, ideal for collectors interested in geometric painting, chromatic minimalism, and subtle cultural references.

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  • Shipping

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  • Returns

    If you don't like the artwork, you can return it in its original packaging and condition within 14 days of receiving it.

Artist

Sandra Mazoy

Sandra Mazoy was born in Mexico in 1975.

She is a Mexican artist based in Madrid, Spain. Her connection to art began in childhood, through the need to express ideas and emotions by means of painting and sculpture.

"I studied Graphic Design, later attended the National Institute of Fine Arts (INBA), and eventually completed a Master's degree in Art and Philosophy.

For 20 years, I taught at Universidad Anáhuac in Mexico City, giving classes in Morphology and Color within the Graphic and Industrial Design programs. This teaching experience deeply shaped my relationship with form and color. A thorough analysis of both concepts awakened in me a passion for observing them and led me to a constant stream of questions—in which each answer reveals a new composition.

When it comes to color, I have always enjoyed experimenting freely, without restrictions, as I believe all colors can coexist harmoniously, creating a wide range of effects and atmospheres. I see both color and form as powerful tools of non-verbal communication capable of evoking emotion and referencing different concepts—some broad, others highly specific. This is where personal perception comes into play, as each viewer brings their own interpretation to my work.

My style is geometric abstraction. For me, the raw material is the idea itself, which is then translated onto the canvas. My compositions reflect who I am, my experiences, my life, and above all, my way of thinking. There is always a trace of logical structure in my work, as it often arrives at a form of visual clarity or comprehension.

I prefer for each person to interpret my paintings in their own way, as they are not intended to convey a fixed message. They are, rather, a natural expression of my accumulated knowledge, experiences, and the visual imagery stored in my mind—emerging organically through form and color.

Morphology and color, the two subjects in which I specialized, provide me with the full range of tools to give voice and shape to my ideas. In terms of form, I explore composition, layering, scale, depth, and transparency. Regarding color, I work with its full properties: hue, saturation, contrast, brightness, and darkness, among others."

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